July 10, 2009
Heart of hearts
David Miller in the Telegraph:
Like some deeply bruised cloud hovering thunderously above a summer picnic, Joseph Conrad's Heart of Darkness threatens us still, more than a century since its publication.
Few works have entertained, excited and troubled minds as much. It has inspired music--including a forthcoming opera by Tarik O'Regan--and spawned numerous radio, theatre, film and television adaptations, the most famous being Apocalypse Now. TS Eliot's The Hollow Men did more for the work's projection towards a readership, quoting the phrase: "Mistah Kurtz, he dead." It infused Ronan Bennett's The Catastrophist and haunts both John le Carre's The Constant Gardener and The Mission Song. VS Naipaul and Graham Greene were swept up by it, as were Nick Davies in writing Dark Heart along with Sven Lindquist's Exterminate All the Brutes, Michaela Wrong's In the Footsteps of Mr Kurtz, and Tim Butcher's Blood River.
What a great course this would make: Begin by reading Heart of Darkness, then come chronologically down through the twentieth century, reading the re-writings of Conrad's novella, alongside key secondary texts, beginning with explorers such as Stanley and Mary Kingsley (underrated, forgotten, but SO funny; she went right up the Congo wearing her pillbox hat, her kid boots, and her long skirt, guided by natives and fending off the alligators with her umbrella, right at the moment that Conrad was memorializing the Congo in very different ways). Then, at the end, the class would read Heart of Darkness again, for closure, reflection, bookending. The possibilities are endless--the list above isn't even complete. Other reworkings of Heart of Darkness include Barbara Kingsolver's Poisonwood Bible and Norman Rush's marvelous Mating.
(I don't miss academe -- but I do miss getting to make up new courses.)
posted on July 10, 2009 8:52 AM
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